On Thursday, September 19, 2013, PT Angkasa Pura I (PAP-I) began the process relocating all operational aspects of its service to international air passengers to it newly opened international terminal at Bali’s Ngurah Rai International Airport.
PAP-I is the management authority of Bali’s airport.
The CEO of PAP-I, Tommy Soetomo proclaimed the massive relocation project a success.
As reported by Bisnis.com, the new terminal welcomed its first guests when 209 passengers aboard China Airlines MU 5029 from Shanghai landed at 6:22 am. Eight minutes later at 6:30 am, 68 passengers touched down on Malaysia Airlines (MH 867).
With the exception of a few minor teething problems and reports of longer-than-normal delays at some service counters, all aspects of the new terminal including baggage claim, visa-on-arrival, immigration, customs and other aspects operated largely according to plan.
Tommy Soetomo shared his pleasure at the smooth welcome afforded international passengers on Thursday, telling the press the transition had run smoothly.
To mark the special occasion directors of PAP I were on hand to welcome the China Airline passengers, bestowing the passengers with floral leis while traditional dancers and a gamelan orchestra added to the merriment.
Soetomo declared that after one year and three months of ongoing construction the new international terminal of the Bali Ngurah Rai International Airport commenced operations on September 19, 2013.
Soetomo described how the international terminal has seven baggage collection carousels, twenty visa-on-arrival counters, twenty-six immigration lockets and three customs inspection areas.
The Bridges restaurant is proud to show the work of the talented Dutch artist who has been painting actively in Bali since 2001. The exhibition is launched on 19 July and will run until 31 October 2013.
Zantman’s colourful and expressive art is strongly inspired by the intensity and the beauty of the colors in Bali’s nature. He has spent a lot of time in the kampongs of the northern part of the island, painting his series of daily village life and of the sawahs, demonstrating his strong connection to this beautiful island.
Long, Long Ago , back in the far misty memory of time, there was an East Indian priest named Rsi Markandeya. It was in the 8th century that this priest, according to a “Lontar” (traditional palm leaf book), set off on spiritual journey, walking across the island of Java to spread the teachings of Hinduism.
Eventually, he and his large group of followers reached the island of Bali and attempted to settle in the vicinity of Taro (a locale north of Ubud). Unluckily, they were struck down by a cholera epidemic and many perished. Rsi Markandeya led the surviving devotees back to Java, where they re-grouped and after a while made their way to Bali again, although this time their number was somewhat diminished.
Upon returning to Bali, the priest was drawn to a place where the two branches of the river Wos converged, pulled there by the intense energy and light which emanated from this spot. Rsi Markandeya was inspired to meditate there and while doing so, received a strong message from the Gods. They told him to proceed to Mount Agung(Bali’s center of spirituality), and there he was to bury five precious metals (Panca Datu) in the ground as a foundation of power for the temple of Besakih (known in Bali as the Mother Temple).
This he and his followers did, and afterwards they returned to settle in the spiritually potent location where the two rivers joined, known as Campuhan. There, in that mystical vortex of nature, he and his faithful followers constructed a temple and they named it Pura Gunung Lebah.
Now growing along the banks of the two rivers were many kinds of plants with marvelous healing qualities, so they christened their new home UBAD, which translated to the healing place or medicine.
Through the following centuries and continuing up to the present time, many Hindu devotees have come regularly to this special place to meditate, bathe and take some of the holy water for cleansing rituals and temple ceremonies. With the passing of time, the name UBAD gradually evolved to the name UBUD.
(c) Written by Debora Crowley
More than 170 famous writers, performers, artists, musicians and visionaries are slated to appear at the 2013 Ubud Writers and Readers Festival (UWRF) to be held October 11-15, 2013.
Over five days and nights, Ubud will come alive with live music and performances, food and art markets and parties that run late into the night. Expect fascinating cross-cultural conversations, high-profile international authors, and the opportunity to discover new and exciting local voices at this year’s Ubud Writers & Readers Festival.
Following reports that the inauguration of Bali’s new toll way connecting Benoa to Nusa Dua would be delayed due to Presidential scheduling conflicts, the Minister of Public Works Djoko Kirmanto has confirmed that the President would open Bali’s new toll road sometime in the coming few weeks.
© Bali Discovery Tours
Now here’s a challenge: visit Bali’s cultural center of Ubud and not see any art. Creativity is everywhere here, from pura (temples) to palaces, galleries to gardens, with shops and handicrafts and lovingly decorated shrines. In this village there is a sense that beauty is cherished, though in general Bali is one island that really knows how to work a stone carving and a water feature.
Walking around Ubud it seems every second shop is a gallery, or has art for sale, with almost too much to choose from should the traveler decide to buy.
Ubud’s history goes back to the 8th century, when a Javanese Buddhist priest meditated at the confluence of the two Wos rivers at Campuhan, just west of the modern-day town centre. A shrine was established and the area became a centre of natural medicine and healing, giving Ubud its name from ubad, ancient Balinese for medicine.
To appreciate contemporary Balinese art it’s useful to look at some classical Balinese art, and west of town on Jalan (street) Sanggingan is a good place to start. Here you’ll find the Neka Art Museum, which aims to help visitors learn more about Balinese art and culture, with a rich collection of local, Indonesian and global works. Collector and former teacherSuteja Neka established the museum, which opened in 1982, to help preserve Bali’s artistic legacy, and the surrounding gardens are cool on a hot afternoon.
Walking towards town you will pass a number of small galleries, and another worth a look is Sika, which has been promoting contemporary Indonesian and Balinese fine art since 1996. Collections by young and established artists are displayed around a peaceful courtyard.
Symon‘s large “Art Zoo” studio is a bit further down, and this entertaining American (who ran away from home when he was 17 to look for writer Henry Miller) has lived in Indonesia for decades, producing paintings drawing on Balinese customs and pop art. He said he was moving from this location, but welcomes visitors to his “Art Zoo Camp Color”, two hours north of Ubud (inquiries: firstname.lastname@example.org).
Eating is also an art, and Ubud is fortunate to have a world-class restaurant in Mozaic, located approximately halfway between Sika and Neka. Mozaic serves culinary art – an innovative blend of classic French techniques and Indonesian ingredients. It offers an experience rather than just a meal; on arrival guests relax in the slickly modern lounge with a canapé before they are escorted to the tropical gardens, where the soft lighting is perfect for romantic foodies.
French-American chef Chris Salans opened his award-winning venture in 2001, and it was the first restaurant in SE Asia to be recognized as one of Les Grandes Tables du Monde, and is listed as the best restaurant in Indonesia by Asia’s 50 Best Restaurants 2013. Diners choose from four six-course degustation menus, including a vegetarian option, with optional wine pairings by sommelier Cok Bagus Senajaya from the excellent winelist. The “Discovery” menu incorporated local ingredients, such as ginger flower (its gel a rose-flushed base for seared king prawns), delicately spiced baby starfruit with glazed Tasmanian salmon in a perfectly seasoned broth, and sweet kluwek puree accompanying a slow-roasted duck breast with a crunchy orange-hazelnut salad.
Continue down the hill, towards the Wos River ravine and Campuhan Bridges, towards town, and on the right there will be signs for the Antonio Blanco museum, dedicated to preserving the flamboyant works of the “Bali Dali”.
Across the bridge going up on the left hand side, an Australian teacher called Sandy Elliott recently opened Sari Aktif, an agency for organizing all kinds of local activities. If you want to commission a work and don’t where to start, she knows a range of local artists and can offer guidance.
In busy Monkey Forest Rd, Komaneka is an attractive modern gallery with changing exhibitions. Ubud also has many shops selling homewares. For the best shopping, head north on Jalan Raya Andong (the road to the Tegallalang rice terraces) – it’s a virtualhandicrafts highway.
For art with less bustle, there is Alam Puri Art Museum & Resort, a boutique hotel with gardens and innumerable water features that are a work of beauty in themselves. To reach its 10 villas of varying sizes and sumptuousness, you pass its own gallery, the Putrawan Museum of Art, which contains the only collection of tribal art in Indonesia.
Located about 20 minutes south of Ubud (shuttle provided), Alam (meaning view) Puri (meaning kingdom) is set in about three acres of grounds, with a view of another 70 acres of peaceful rice paddies. The villas are named after artists – and feature plenty of art – as the owner is a collector and painter. It also has an intimate spa, next to the small river, open to light breezes, where relaxing but firm Balinese massage is accompanied by the sound of birds and tumbling water.
Back in Ubud again, the Agung Rai Museum of Art, is another venerable institution in attractive grounds which shows traditional and contemporary works. On my first visit to Ubud I recall seeing a cremation (street procession, body exhumed and placed in decorated bull for incineration) in the Monkey Forest in the morning, and paintings of past cremations that were remarkably similar at ARMA that afternoon.
Of course not everyone comprehends the need to create art. But most people understand the need to dispose of garbage, and they might appreciate Oh Waste in Jalan Jembawan (near the post office) where recycle artist Pat makes bracelets and accessories from old tyres and discarded toothbrushes.
(c) Carolyn O’Donnell